Sunday, December 13, 2009
The really tough Bollywood quiz - Answers
Sunday, December 06, 2009
Paa
Somewhere in Mahesh Bhatt's 1987 release, ‘Kaash’, Dimple Kapadia lets out a heart-rending scream when her teenage son passes away. She is joined in a similar show of grief by her husband played by Jackie Shroff. It was a high melodrama moment, and Bhatt pulled it off well enough, but in the end it was loud, a tad over the top and almost demanding of the audience’s sympathy. Refreshingly, for a similarly themed film, we are spared such moments in R.Balki’s ‘Paa’.
Nothing new about the story at all, but it’s the treatment that’s wonderfully disarming. Balki’s fascination with terminally ill children continues in this ‘dying-kid-reunites-the-pa
Amitabh Bachchan’s Auro is indeed the star of the film. With a new face, a new voice and a twinkling sense of humor, Bachchan’s Auro is as sensitive as he is precocious and the film’s writers leave all the best lines for him. And they work almost every time. Its Auro’s world that’s so enchanting, so much so that the film could have been entirely about his life, his school friends and his aspirations and worked just as well. But then they all say we need a plot.
So we have the parents Abhishek Bachchan and Vidya Balan, then both students, who find themselves at crossroads in their relationship, when they realize that they have a kid on the way. However, papa wants to be a cool politician and suggests abortion. Mama predictably tells papa not to preach and exits stage left from his life, saying, ‘I’m keeping my baby.’ Baby grows up to be Auro, and accidentally meets his father at a school function, thereby unwittingly paving the way for his long estranged parents to reunite. Weirdly enough, for a film advertised as a father son story, it’s actually the boy’s relationship with the ladies in his house, his mother and his grandmother that are more endearing to watch. Bachchan shares crackling chemistry with both Balan and Naag, as well as with the child actor who plays his best friend Vishnu.
But this isn't a perfect film by any stretch of the imagination. Abhishek Bachchan’s political machinations are distracting after a point and screen time devoted to his battle with the media is wholly unnecessary. An uneven Paresh Rawal, as Auro’s grandfather doesn’t add anything to the proceedings apart from a couple of funny one-liners. Maestro Ilaiyaraaja’s music, while soothing, could have been used to make more of an impact, the violin laden background score notwithstanding.
Cheerful, poignant, sensitive and intelligent, ‘Paa’ is great fun.
3.5/5
Cheers!
Abhishek.
The really tough Bollywood quiz
Sunday, November 22, 2009
The perfect Calcutta meal?
Before I begin, a few riders that have governed and limited the freedom of choice.
One. Even if I have enjoyed, for example, the most delicious Pan They Khowsuey, a Burmese-style gravy made of pork and with garnishings including shrimp powder, I have had it in someone’s home, so it can’t be on today’s hit parade. Just like so many other temptations not available at city outlets or even through caterers, and even if available, certainly not the best I’ve had.
Two. Despite having indulged in gluttony for decades, there are still delights I have not had the good fortune to have tried; there are some which I do not even know about, especially more recent add-ons to the city’s culinary scene. In a nutshell, today’s hit parade will have items that have been chosen from an extremely personal viewpoint, and they are also ones that have been around for decades. I am starting with starters and snacks, and, like a good Bengali, graduating from vegetarian dishes to non-veg ones and ending with desserts. With due respect for those who might grumble...
1. Phuchka
A symbol of Calcutta’s pride. Of course we think it is better than paani puri (Mumbai) or golgappa (Delhi) but so do many non-Calcuttans. My favourite vendor is Ramesh Pandit near Lake Kali Bari. Sublime is an understatement. Used to eat 33 of them for a rupee, and would even ask for one paise change. Some vendors sell humongous sized ones nowadays, but even the sacred phuchka has changed with the clientele. You can even find them on menus nowadays...
2. Prawn Cocktail
With the exit of Sky Room, the city also lost, arguably, the best prawn cocktail in the world. At least, as good as the best. Good enough to be flown to Delhi almost every week for Mrs Indira Gandhi. Sky Room’s secret must have been in the mayonnaise-based sauce. But One Step Up! on Park Street does a good job, and this piece of Calcutta nostalgia can still be a hit parade.
3. Paper Dosa
Named thus because the dosa is wafer thin and crisp, this is a humdinger with good sambhar and coconut chutney. Personally, I am easy whether there is a potato vegetable stuffing or not. Sadly, sambhar in Calcutta somehow just loses out to sambhar in Chennai, even though the cooks, ingredients and knowhow are from there. Must be the air and/or water. But Prema Vilas, Calcutta’s oldest south Indian place in Lake Market is my place for Paper Dosa.
4. Chop Cutlet platter
Not singling out one item here, because whether it is the mochar chop, deemer devil, fish roll, kabiraji cutlet or the moghlai paratha or any other item from this school of thought and taste, they all are winners. Created and invented by this city in a wave of inspiration, the egg-and-crumbed (or flour-batter-and-crumbed) thrillers can put you into orbit, especially with a good zingy mustard, courtesy Bubai Caterers of north Calcutta.
5. Chimney Soup
Takes me back to 1975 to Eau Chew Restaurant on Ganesh Chandra Avenue. Coal-fired chimney in the middle of a great trough filled with chicken stock, meat and fish balls, gizzard, kidney and other meat and other such goodies cooking in the bubbling stock. Break eggs and poach them in the stock, cook your noodles and greens in the stock, make your meal-in-a-dish and discover what life is all about. Eau Chew is still there, and so is their Hot Pot. Better to phone in and place an order.
6. Chitol Maachher Jhol
How come a Bengali has only one fish dish in the pop charts? Because we usually eat fish away from home with a bit of disdain. But this item, where chitol (featherback fish) is cut right across the mid-riff in one-inch thick steaks, rib-cage bones (almost as thick as chicken bones) and all, and cooked in a serious, thick, garlic-onion-ginger paste and tomato gravy, is almost never done in homes, and my first encounter was in a “pice hotel”. Today, you get a good version at Kewpie’s.
7. Kosha Mangsho
One can write an ode to this dish. My best is still from Shyambazar’s Golbari, which has had closures and reopenings, but is up and running right now and that should herald a winter of content. With their secret-formula chapattis which look as if they have only just been rolled out but not cooked, and yet are gossamer soft and done to perfection, Kosha Mangsho might even land you in a divorce case…
8. Gelato
With the advent of Mama Mia! and Italian-style ice creams (the real McCoy), there has been no looking back for ice cream lovers, even though the city has had a good track record with these, with some really good offerings. My top flavour is Forest Berries, with the gelato laced with a syrup containing mulberry, blackberry, raspberry and other potent fruits.
9. Mishti Doi
By Jadab Das. As I said, I am being personal. Mishti doi, available in thousands of outlets, has given rise to much debate, but Jadab Das near Triangular Park is my choice. Pure cows’ milk only, almost pure white in colour, a slight tang and so light and tasteful at the same time that I can put away 700g without batting an eyelid. Its non-rich texture also invites add-ons like warm gulab jamun.
A final note: Many, many dishes not included, including beef steak. Sad, because we have world-class beef in Calcutta shops. Maybe the steak I do myself?"
Cheers!
Abhishek.
Wednesday, November 18, 2009
Book review: The Story Of My Assassins by Tarun J Tejpal
For inspiration, Tarun Tejpal’s second novel, ‘The Story Of My Assassins’, draws heavily from his own challenging days at Tehelka, the defense-deal sting operation, communalism, the Bhagawad Gita (which seems to be every contemporary Indian writer’s current fetish) and Bollywood and it shapes up to be one heck of a rollicking read. It is a huge challenge to the reader, as it is continually disheartening, depressing and gloomy; offering no hope at all in the end, but by golly, a story of so much misery and hopelessness has never been this heartfelt, passionate, engrossing and beautiful.
Cheers!
Abhishek.
Saturday, November 07, 2009
Ajab Prem Ki Ghazab Kahani
I always had a minor gripe with almost all of Rajkumar Santoshi's films. He could never do songs right. Less noble directors than Santoshi, arguably the pioneer of the Bollywood 'item' song, did songs much better. With the possible exceptions of Damini, China Gate and Andaz Apna Apna, Santoshi's treatment of the mood, placement and quality of his soundtrack on film was mostly mediocre, haphazard and random. With APKGK, he gets this bit of the piece mostly right. The effort is not visible with the rest of the film, sadly. He tries his hand at a pure comedy after a rather long hiatus after 1994's cult favorite, Andaz Apna Apna and the final product is sadly middling at best.
Saturday, October 31, 2009
Need a holiday?
“One of the symptoms of approaching nervous breakdowns is the belief that one’s work is terribly important. If I were a medical man, I should prescribe a holiday to any patient who considered his work important.”
- Bertrand Russell, The Autobiography of Bertrand Russell
When I worked at my previous job, I always felt like the things I was doing were vitally important to the success of the project. In one way, this was good – it kept me focused on making sure that things wouldn’t fail. Yet it created several additional problems.
For one, I was often really stressed out. I felt hugely responsible for everything that went on, even for things that I couldn’t actually control. Eventually, I became quite proficient at solving the technical crises that others were responsible for, often because they were completely oblivious to the disasters.
At the same time, I became afraid to push myself to try new things. Since I felt so strongly responsible for everything, I became deeply afraid of change. I already felt the stress of managing all of the things that were already in place – the idea of changing things or adding new things stressed me even more. As a result, I would often subtly resist such changes.
On top of that, the birth of my children caused my priorities to change, adding further stress. A big part of my job involved traveling to meetings and conferences and other such things. After my children were born, the travel responsibilities gradually went from an enjoyable part of the job to a burden. Instead of going out on the town with colleagues, I’d spend the evening calling home to see what my kids were up to and would often feel as though I was missing them grow up.
The real message underlining all of this? I was so caught up in how important my job was that it was stressing me out, affecting my personal life, and keeping me from innovating and taking chances at work. That’s a terrible mix for success.
Looking back, a much more appropriate perspective would have been to realize what my role was – to develop data interfaces – and do that to the best of my ability, ignoring the other things that were going on. If the database went down… well, I shouldn’t have seen it as my responsibility. Instead, my responsibility should have been to simply push the envelope and find new and clever ways to get people the data they needed. It wasn’t “important” work – it was creative work, work that should have been purely fun.
What did I learn from this experience? The moment you begin to think of your job as “important,” you become more stressed and less innovative in your career. Your health and energy fail you due to the stress. Your job becomes less enjoyable because you’re focused on maintaining the status quo instead of doing the best job you can. In the end, you simply become less vital than you were before you began to see your job – and yourself – as “important.”
This is an issue I see popping up even now with my writing career. When I begin to view what I do as “important,” I begin to be less effective. I write less interesting pieces that essentially just reiterate core points. It becomes dull – and I can feel that just as much as you, the reader, can.
Instead, I try to remind myself that what I do really isn’t all that important at all. When I feel that way, I tend to write more from the heart, no matter the consequences. I often get attacked when I do things this way because I’ll express things that are different than what’s “expected” of me, but it’s more enjoyable.
Here’s the truth: your job is likely nowhere near as important as you think it is.Sometimes, employers will try to convince you that you’re more important than you actually are because it’ll scare you into being a good worker – but it will, at the same time, prevent you from being a great one. In the end, most managers – who also think of themselves as more important than they actually are – prefer a workplace full of good workers who are afraid to step outside the box than an office full of a mix of great workers and bad ones who are constantly trying to innovate. After all, that same sense of inflated importance guides them, too.
Here are three things I often do to keep my sense of importance at appropriately low levels.
First, I imagine worst case scenarios in terms of the greater world. For me, that would probably be a lack of ability to continue updating The Simple Dollar. What would happen to the greater world? For the most part, very little. The Simple Dollar often adds a little “positive” to people’s lives on a regular basis, but if it went away, their lives would continue. They might find another web site that provides a similar boost – or they might not. Either way, it’s not a major crisis for the world if the worst case scenario happens.
Most jobs, if you peel them back to their true impact on the world, have very little real impact. Yes, there are a few captains of industry and top political leaders who really can affect a lot of lives. Outside of them, though, the worst case scenario of most jobs has little impact.
Second, I imagine the positive impact of just not worrying about it. That type of scenario frees me to try new things. If I realize that the worst case scenario really isn’t that bad, it becomes a lot easier to imagine best case scenarios for taking pretty significant risks. What if I write articles that are seriously outside the box on The Simple Dollar? I might chase away a reader or two, sure. But I also have the potential to grab the imagination and attention of a lot of people by doing that.
Again, the same holds true for most jobs. When you consider the absolute worst case result of a certain choice, then compare that to the potential positive results of making that same choice, you’ll often find you’re better off just letting go of the status quo and trying new things. Completely re-do your filing system. Do a presentation that completely bucks the rules of what typically goes on in your workplace. Write some interesting utility code that helps everyone by making some common tasks faster.
Finally, I try things that are way outside the norm. Sometimes I’ll end up using these things that I create. Other times I won’t. In either case, I usually find something worthwhile.
What really makes this stand out, though, is that it’s fun. Trying something completely new and different adds an element of fun to my work that simply isn’t there if I’m overly careful and just follow the status quo. That sense of fun keeps my work in the area of things in my life that make me happy instead of things in my life that drain me.
In the end, my advice is simple: let go of the sense of importance you have about your work. It’ll be the best career move you’ll ever make.
One final note: if you have your financial ducks in a row, it’s even easier. Paying off your debts helps your career because it reduces the importance of your job. Your need for a salary is much less if you have your ducks in a row, which in turn opens the door to greater success because you’re no longer tied to such a sense of importance.
Cheers!
Abhishek.
Sunday, October 25, 2009
All The Best
Puerile at its worst and mildly chuckle-inducing at its best, Rohit Shetty's 'All the best', starts where his earlier films, 'Golmal' and 'Golmal Returns' left off. A mad cap tale of mistaken identities, this juvenile piece of cinema deserves a watch only by the particularly optimistic, for whom the realization of three irrecoverable hours will not seem criminal.
Tuesday, October 20, 2009
Blue 2 in the offing???!!???
Be afraid, be very afraid... if this article from the Mumbai Mirror has even a shred of truth to it...
Blue actor Sanjay Dutt informs that they will be starting with the sequel immediately. "It was a thrilling experience shooting for Blue in the Bahamas. Tony (director) is ready with the idea for Blue 2 and he has promised that there will be more sharks and action in the sequel," says Sanjay.
Sanjay says that shooting for Blue wasn't a cakewalk. "For me, Blue was an extremely difficult film to shoot. The same goes for the director Anthony D'Souza. Hats off to the producer who believed in the film and invested so much money in it. I don't know about others but I had a tough time while shooting as I was scared when I saw 50 sharks around me."
Blue 2 will be shot in Australia and will have one more key male actor other than Akshay Kumar, Sanjay and Zayed Khan. While Blue has several sharks, its sequel will have deadlier sharks such as Great Whites and Bull Sharks.
Saturday, October 17, 2009
Blue
I'll make this a short one. There's not much to write about anyway. One wonders what happened to the $20 million that the producers spent on this one? Perhaps if the bulk of the cash was used to hire a good scriptwriter, instead of paying the actors' stratospheric salaries, things would have been a little different. This 'titanic' deserves to rest peacefully, as the film's poster screams, '250 feet under the sea'.
Sunday, October 04, 2009
Wake up Sid
Saturday, September 12, 2009
Curfewed Night by Basharat Peer: Book review
There is something distinct and inherently powerful about the concept of identity, isn't there? Something that can cause a whole generation to sacrifice its future in its name? Basharat Peer's poignant 'Curfewed Night' is as much a chronicle of Kashmir's conflicted past and uncertain future as it is a love song to the paradise valley of his childhood. The book's relentless and breathless narrative is perhaps deliberate, maybe an attempt to drive home the urgency of the situation. After all, by most estimates, more than a hundred thousand lives have been lost since the inception of the conflict in the late 80s. Tragedy is...we are no more closer to a peaceful solution than we were at any point in the past.
Wednesday, August 19, 2009
Stranger to history by Aatish Taseer : Book review
Being born to an Indian mother and a Pakistani father, puts ex-Time magazine journo and first time author, Aatish Taseer in a unique situation. As Indians or Pakistanis, one normally assumes one clear identity, one culture and one kind of relatedness. Aatish, unenviably, needs to straddle two very different worlds and cultures, which were, ironically, the same at one point in history. Truly, midnight's chosen son.