India's 'Commonwealth' woes

In an article in February, yours truly had predicted that India’s preparedness for the Commonwealth Games (CWG) scheduled for October this year would be well behind schedule, but the famous Indian tradition of ‘jugaad’ would most likely see us through in the nick of time. While this may still prove to be an astute prophecy, one is not so sure anymore. As the games inch closer, the pandemonium exponentially increases. As charges of corruption, organizational inefficiency, delayed and shoddy construction and political muckraking savage India’s attempt to showcase her ‘arrival’ on the world stage, one can only hope and pray that an embarrassment of epic proportions is somehow circumvented.

INR 28,054 crore. That’s USD6.2 billion. That’s what’s been doled out to New Delhi and to sundry agencies to make the games a success. But apparently much of this sum seems to be just governmental largesse. Per the reports from the Central Vigilance Commission (CVC), several prima facie irregularities are evident. Completion certificates from various stadia are allegedly falsified with quality of work of the games venues being sub standard. It has inquired into more than ten infrastructure projects related to the games and has alluded to inflated prices, poor execution, bribery and manipulated tenders. In a bid to keep the ‘sarkari babus’ happy, many of the stadia have been inaugurated in advance, only to fall apart almost immediately. Part of the roof of the JLN Stadium started leaking soon after its grand opening. The story of the S.P Mukherjee Swimming Complex was also no different. In addition to following the JLN Stadium’s example, it also managed to injure a young swimmer, when loose drainage covers put paid to her test dives. Theres more. Treasurer Anil Khanna announced his resignation after reports that a firm fronted by his son had won the contract to lay the tennis court turfs at the R.K. Khanna Tennis Stadium. In addition, sponsorship deals with Australian and Swiss firms have also come under the scanner and have since been cancelled. Since the political brouhaha started, Suresh Kalmadi has stayed firm, pledging his steadfast loyalty and singing paeans about transparency. However, some of his colleagues have not been so lucky. Organizing committee (OC) members T.S. Darbari, M. Jayachandran and Sanjay Mohindroo stand suspended, accused of corruption. It is therefore no surprise, given the negativity associated with the CWG that let alone tight-fisted private corporate houses, even PSUs are unsure about providing sponsorships.

An all too familiar tale in India, this. Remember the IPL? Power concentrated in the hands of few, with practically no accountability, has led to a long list of disasters. Did we think this time was going to be any different? Add to that the miles of red tape associated with organizing an international event, and you have a potential disaster on hand. At least the IPL delivered an enjoyable product, before things went downhill for the nepotistic Lalit Modi and his coterie. But what has transpired here is just not cricket and Kalmadi may need to do more than just allow independent inquiries to prove he is aboveboard. But apportioning the entire blame at the OC chairman’s door will be folly. A variety of factors are at play here. India has limited experience in handling events of such magnitude, the last being the 1982 Asian Games. The story then was eerily similar; with the then prime minister Indira Gandhi calling on the services of Jagmohan Malhotra for some serious last minute trouble-shooting. One would have hoped for a better performance this time around. Another factor at play is the lack of any interdepartmental connectivity. With multiple government agencies roped in to organize the games, it was imperative that there be a detailed and well-integrated plan for getting New Delhi games ready, both in terms of the sporting stadia as well as the city’s general infrastructure itself, with each government agency clear about its role and involvement. The PWD and CPWD cannot seem to agree on who is responsible for clearing construction garbage, or who is to construct the pavements outside the various stadia. Therefore, equal blame should there be borne by the Delhi Development Authority. While Shanghai has appeared to have gotten a spanking new facelift with the hosting of the Expo this year, New Delhi’s light cosmetic changes leaves many unsure about the positive effects the games have had on the capital. While the new airport and the tube system are fine instances of progress, there are many examples of the glass being half empty. For example, drainage systems, which were to be upgraded, are still in a mess, with less than 20mm of rain enough to wreak havoc in and around the games village and other infrastructures, causing widespread water logging and traffic snarls. The urban poor have been hurriedly cleared away lest the city pander to the western stereotype of being infested with ‘beggars’. Genuine rehabilitation efforts have sadly, not been made. Furthermore, unclear and vague zoning of the city, coupled with the abovementioned abysmal coordination between different government agencies has also led to inordinate delays.

Amid the upheaval in Parliament, with the UPA weakly responding to the opposition’s bay for blood with the argument that much of the CWG planning had been completed in the tenure of the previous NDA government, the Prime Minister’s office has rightly taken charge and things should only improve from here. Time is short and there remains much to be done. The hosting of the CWG in New Delhi is India’s opportunity to announce herself to the world and to showcase the recent positive buzz associated with the country. The event could well end up doing just the opposite. The upwardly spiraling ‘chakra’ logo of the games supposedly depicts the growth of India into a proud, vibrant nation, with her billion people coming together to fulfill their true destinies. In its worst form, it looks like a lot of common wealth fulfilling only chosen destinies. For the rest of us, the CWG will remain a USD6.2 billion question.

Cheers!

Abhishek

A version of this article first appeared in the September issue of 'KINDLE'

Working class heroes

Image via Wikipedia

I was truly gutted when the last tickets for their concert in early 2009 (in Singapore) were sold out only five days after the being available for purchase. Needless to say, I had been late. But the evisceration was complete a few months later, when Oasis decided to split up, for good. Brothers in arms no more, the Gallaghers had decided that they had had enough of each other, on stage and off it. And that was the end of close to two decades of sibling rivalry, endless swagger, Britpop hysteria, a devil-may-care attitude, gigs the size of small cities, revisionist ‘Beatle’-esque riffs, trashed hotel rooms and mostly great rock ‘n’ roll music.

I, for one, was hooked right from that sunny winter morning in 1994 when I picked up a copy of 'Definitely Maybe' at a store in Lucknow's quaint Aminabad market. This was ironic, because the music on the cassette was sharply in contrast with the characteristics of the place of its purchase – all refinement and sophistication. None of that on the record, though. From the first loud, unapologetic, brazen and screeching riff of the album opener ‘Rock ‘n’ roll star’, you knew that these lads were made to put the rough edges back in British rock. Not since the Stone Roses’ 1989 self titled masterpiece, had eleven songs so perfect been assembled on one debut album. And it didn’t end there; the follow up - the marginally more introspective ‘What’s the story (Morning glory)’ – was an even better record in many respects. It sounded like the morning after to their debut album’s exuberant night out in town. I never got down to actually understanding what a ‘Wonderwall’ meant (a question also posed by Travis in their single ‘Writing to reach you’), but it was bloody awesome. Again, there wasn’t a single weak song on the album and both these albums continue to make it to any and every list of the ‘Top 10 British Rock Albums of All Time’ kind. The brothers’ Noel and Liam shared a fractious relationship at best, but when they came together in a recording studio, it was mostly magic. Noel’s lyrics could be infuriatingly vague, but delivered through Liam’s powerful nasal drawl, they sounded worthy, somehow. ‘Some might say’ and ‘Champagne Supernova’ are prime examples. What followed ‘Morning Glory’ were superstar status and the distractions that came with it. Cancelled concerts, drug abuse and microscopic media scrutiny – all of which eventually derailed the band’s proposed conquest of America. Here was a chance to be the single most relevant British act across the Atlantic since U2, and the band had promptly hit the self destruct button. But the lads had taught me well – I didn’t look back in anger.

Instead I looked ahead to their upcoming offering ‘Be Here Now’, which many say was the beginning of the end for them. While it was commercially successful, the overproduced and overblown album saw the band wilting under the pressure of their own self belief (now bordering on mild narcissism) and feverish public expectation. Suddenly, the hysteria was over. Their arch rivals, Blur, had moved on stylistically and sonically, in a bid to reinvest themselves. The great Britpop movement was done and dusted and Oasis didn’t seem to stand for anything anymore. Two mediocre albums followed in the shape of ‘Standing On the Shoulder of Giants’ and ‘Heathen Chemistry’ and by then, clearly, no one was paying any attention except the dedicated and faithful. I stayed faithful despite the band’s declining fortunes. Foremost of the reasons for doing so was the fact that they still made music for the same reason I listened to it. To enjoy myself and have a good time. Simple concept, but one lost on a lot of recent material from today’s more ‘cerebral’ bands. Oasis helped a whole new generation wake up and enjoy rock ‘n’ roll music, for the reason rock ‘n’ roll music was invented - to sing loudly with eyes closed. No tr

Cover of Be Here Now

ying to be clever and no trying to save the world. While their contemporaries like Pulp and Suede were going glam and posturing themselves as avant-garde sophisticates, Oasis were happy to be working class, a people’s band if you will, honest and direct. I wasn’t there in 1996 when they played to 250,000 screaming fans over two nights at Knebworth, but friends who were said it was like turning up to support your favorite football club - your loyalties completely firm and unyielding, in spite of the looming threat of relegation. Countless bands have been inspired by their ‘lads next door’ attitude to music – Keane, Travis, Embrace, Twisted Wheel, Jet and The Enemy have all sighted Oasis as a huge influence and that is testimony enough to the band’s lasting legacy, despite remaining more or less static in sonic approach coupled with the unwillingness to experiment. The band, contrarily, believed that experiments were best left to dedicated scientists. Frankly, I wouldn’t bother with them either, if I could churn up an album of B-sides that most bands of standing would kill to put on an album. One only needs to listen to gems like ‘Half the world away’, ‘Rocking Chair’, ‘Stay young’ and ‘Acquiesce’ off 1998’s B-sides compilation, ‘The Masterplan’, for confirmation of the band’s melody-making credentials. Following Oasis had another, more entertaining benefit. The sound bites. Never shy of having a word, the band always stayed in the media glare, thanks to the famous Oasis-speak. When the brothers weren’t bad mouthing each other, they were busy laying into other bands. And when there were no bands around to lay into, they were talking about themselves, always crossing the line separating self-confidence from arrogance. If the music was great, the talk was even better. Like the time in 1996, when their record company gifted Noel a Rolls-Royce and Liam a Rolex watch. When asked about it, Noel replied, ‘It’s true, but odd choices for gifts, coz I can’t drive a car and Liam can’t tell the time.’ Their comment about Blur’s ‘Damon (Albarn) and Alex (James) getting AIDs and dying’, at the height of their rivalry in the mid 90s is stuff of legend. Or the oft quoted, ‘We’re not arrogant; we’re just the best band in the world’, variations of which found their way onto the backs of thousands of T-shirts and bumper stickers.

I once thought that the band would ‘Live forever’, and the classic retro melodies would keep coming, but their split is probably a good thing in the end. For demise leads to eventual regeneration. Liam and the rest of the band members are to apparently carry on as ‘Beady Eye’ and Noel will mostly go the solo route. So, twice the music. Bring it on, chaps. For now, a huge thanks for the music. A line off the band’s last (and most assured) album ‘Dig out your Soul’ comes to mind at this juncture. In the soulful ‘I’m outta time’, Liam poignantly asks, ‘If I’m to fall, would you be there to applaud, or would you hide behind the mob?’ I know where I’ll be.

Cheers!

Abhishek.

So you want to be environment-friendly?

Image via Wikipedia

Here's something particularly interesting courtesy Freemoneyfinance.com

A study mentions that you can save money just by using the correct font on your computer. The researchers here claim that you can save 31% on ink cartridge costs if you use the "right" font over the standard font. The details:

Arial, reigning as the most popular font, was used as the “zero” measurement, against which nine other fonts were tested. The clear winner was Century Gothic, which returned 31% savings in both printers. For the average private user, printing approximately 25 pages per week, this will easily generate a net reduction of $20 in a year. A business-user, printing approximately 250 pages per week, could save $80. If your organization uses multiple printers, you can save hundreds of dollars per year doing nothing more than picking a more economical font.

Century Gothic is a modern font that comes standard with MS Windows. Surprisingly, it even beat Ecofont which was specifically designed with efficiency and cost in mind. For those who require a more “traditional” look, Times New Roman provides a good balance between style and savings.

The fonts in order, starting with most economical, are:

• Century Gothic
• Ecofont
• Times Roman
• Calibri
• Verdana
• Arial
• Sans Serif
• Trebuchet
• Tahoma
• Franklin Gothic Medium

So there's something new to try at work.

Cheers!

Abhishek.

Robin Hood

Image via Wikipedia

Ridley Scott and his preferred partner in crime Russell Crowe team up again to bring another popular hero back from the woods, literally in this case, but intelligently, they chose not go down the 'rob from the rich and give to the poor' route. Instead they bring to life a fictional account of how the legend of Robin Hood came to being.

And it works only in bits and pieces, to be honest. Our hero comes across more as Robinus Maximus, an indestructible leftover from you-know-where, rather than an emotionally vulnerable yet supposedly roguishly charming Robin Longstride (who becomes Robin of Loxley and eventually the outlaw Robin of the Hood). The story line is a predictable David v Goliath meets Walk in the Clouds, and perhaps would have even worked if it didn't aim for the high human drama quotient and in turn try to take itself so seriously. And it is here that the film sadly fails. It ends up as lumbering and overdone. The cast does fine, and the battle scenes are to Scott's usual high standard, but the love affair between Marian and Robin is quite 'thanda', evoking almost no emotional connect, while we wait for the film to drag on to its inevitable good vs evil battle royale.

In the end it is a brave attempt, trying to do something new with the Robin Hood story, but the screen play is clunky and overdone and the execution is entirely run-of-the-mill. See this if you must.

2.5/5

Cheers!

Abhishek.

Travel India

Travelling through India can be both fearfully tiresome and incredibly rewarding at the same time. However, very few countries present such diverse topography for the willing traveler. Add to that the cultural angle, with so many religions, languages, traditions and ethnic groups all existing side by side, and one wonders how the nation has survived more than the sixty years it has. Which is why its a pity that more isn't done to showcase the country as one of the world's premier travel destinations. With the proper infrastructure, maintenance and marketing, India's potential as a travel destination of choice is sure to be realized.

While surfing, I recently came across assorted lists of some must-see places in India. I reproduce an amalgam of a couple of such lists in alphabetical order. Hope this helps. Maybe, the next time you draw up your travel plans, you can look within the country for a perfectly wonderful, memorable and fulfilling trip...

1. Abbey and Iruppu falls
2. Agumbe
3. Ajanta and Ellora caves
4. Alappuzha - Nehru Trophy boat race, Punnamada Lake near Alappuzha, Kerala
5. Amritsar - Early morning at the Golden Temple, Amritsar
6. Andaman

7. Araku Valley - Borra caves near Araku valley of Vizag
8. Auli, Uttaranchal
9. Auroville - Enjoying the tranquil, French cuisine at Auroville
10. Backwaters of Kerala
11. Badami, Pattadkal, Aihole - Chalukya style temples
12. Bandhavgarh tiger reserve
13. Belur Halebidu circuit
14. Bhalukpong - Enjoying a lunch with the Meshing tribe right in the midst of the river Jia Bhareli on the Assam Arunachal border.
15. Bhimbetka - Rock Shelters of Bhimbetka, Madhya Pradesh
16. Bird watching at Ranganathittu, Bharatpur
17. Bodh Gaya - Mahabodhi Temple Complex
18. Brindavan - Playing holi in Brindavan
19. Cherrapunji.
20.Barapani near Shillong.
21. Chilka Lake - Trying to see the horizon during a boat ride in Lake Chilka, Orissa
22. Chopta - Tungnath - Chandrashila trek
23. Coorg - The buddhist monastery at Bylakuppe;
24. Darjeeling to Gangtok - hairpin bends with the river Teesta below
25. Delhi
26. Qutub Minar and its monuments, Delhi
27. Devkund - 30 kms from Chandipur Beach, Orissa, forest with 7 waterfalls
28. Digboi
29. Dilwara Temple, Mount Abu
30. Diu
31. Dodital - Trek to Dodital in Uttarkashi. Dodital is also considered the birth place of Lord Ganesha.
32. Dubare, The Elephant Camp
33. Dudhsagar waterfalls - Goa
34. Fatehpur Sikri
35. Goa on bike
36. Hampi - Ruins of Hampi, requires multiple trips
37. Homestay at a coffee plantation;
38. Hyderabad - Salar Jung Museum, Golconda Fort
39. Hyderabad - The breaking of fast during the Holy month of Ramzan in Hyderabad
40. Jaipur - Elephant ride at Amber Fort, Jaipur
41. Jog Falls in Shimoga (during / after the monsoons)
42. Kaziranga National Park - One horn rhino grazing in the secured environment of KNP
43. Khajuraho
44. Kolkata in the pujas - The Indian Museum, Kalighat temple, Eden Gardens and the Howrah Bridge
45. Kumbakonam -

46. Kumbh - Joining the millions to take a dip in Haridwar during the Kumbh
47. Ladakh - Changing colors of water at Lake Pangong Tso in Ladakh
48. Ladakh - Clouds chasing you on the banks of Lake Tso Morori in Ladakh during the monsoon season
49. Lalabgh, Bangalore
50. Lahaul and Spiti valley
51. Lakshwadeep
52. Lansdowne (Near Pauri, Uttaranchal)
53. Leh

54. Lonawala in Monsoon, esp Bushi Dam and drive to Amby Valley
55. Mahabalipuram - Vishnu's penance at Mahabalipuram
56. Manali
57. McLeodgunj - Watch the monks do the Buddhist rituals in the monasteries of Mcleodgunj
58. Mountain passes - Spending some solitary time with nature at any of the high passes. Khardung La, Taglang La, Lachulung La
59. Mumbai
60. Mukhteshwar
61. Mysore - Dushera Festival, Tipu Sultan Palace
62. Nagarhole national park;
63. Peling near Gangtok, Sikkim
64. Pink City - Walking through the old city section (Pink City) of Jaipur
65. Pondicherry - Sunrise in Pondicherry (while sipping coffee), Paradise Island
66. Ranakpur - 1444 unique marble pillars of Ranakpur Jain temple complex near Udaipur
67. Rann of Kutch
68. Renukaji in Himachal Pradesh
69. Rishikesh - White water rafting
70. Road Trip - Manali to Leh and Leh to Srinagar
71. Roopkund, Bedini Bugyal
72. Sand dunes of Jaisalmer
73. Shillong
74. Shravanabelagola - Climbing 500 steps up a hill to get a glimpse of Bahubali at Shravanabelagola
75. Shungaster Lake, Tawang, Arunachal Pradesh
76. Sikkim - another must see
77. Sun Temple, Konark
78. Sunderbans - Boat cruise in the Sunderban delta
79. Taj Mahal - Sun rise in Taj Mahal at Agra

80. Thanjavur - Great living Chola Temples at Thanjavur, Gangikonda Cholapuram and Darasuram, Tamil Nadu
81. Tiger Watch - Corbett, Bandipur, Kanha, Ranthambore, KNP, Sunderban
82. Tirthan Valley, Himachal Pradesh
83. Tranquebar - tiny seaside place... the only Danish settlement in the country...
84. Valley of Flowers in Uttaranchal - go there while the plants are still there
85. Varanasi - Watching the Thursday evening Maha-aarati on the banks of Ganga at Varanasi from a boat

86. Wayanad

Cheers!

Abhishek.

Vanity Fair

Come May this year and China will get ready to play host to the World's largest International

fair / exposition in terms of number of visitors. The event, themed ‘Better City, Better Life’, aims to explore different aspects of urban development, sustainability and harmonious growth. Five separately themed pavilions will aim to explore the various facets of this modern phenomenon and attempt to address issues like urban income inequality, resource limitations, urban migration and sustainable growth. Some 70 million people, 240 delegations, 100 heads of state and more than 50 international organisations are expected to visit the fair this year and China has pulled out all the stops to ensure that the event is mounted on a grand scale. When you consider that only around 5 million visitors turned up for the Expo's pervious edition, held in Zaragoza in Spain, you realize the magnitude of the event on hand. And the Chinese are well acquainted with the adage, ‘bigger is better’. The government has till date, spent upwards of 40 billion dollars on upgrading Shanghai’s infrastructure, in addition to the Expo’s budget of 4 billion dollars (which in total makes it more expensive than the Beijing Olympics). Shanghai now has 2 spanking new airport terminals, a competent subway system and a new 700 million dollar riverfront promenade - all aimed at sprucing up the city, which many locals believe is at the cusp of its ‘moment in history’, the Expo being just the trigger needed for the city to announce it’s pre-eminence at the world stage.

Interestingly, the Expo will also be as much about international politics as it will be about urban harmony. The US, unable to use government money to participate in fairs, had initially indicated non participation, but China’s growing clout forced Hillary Clinton to confirm a US pavilion on her last visit. The US government then went on a fund raising spree with the 60 million dollars required coming mainly from donations. Another case in point is American car maker General Motors, which sells more cars in China than it does in its home market. They were one of the first corporates to commit a pavilion at the fair (to showcase their clean technologies). With China’s recent dominance in the world economy, the Expo is as much a show of its current power as it is about making the world’s cities better places to live in. And many countries are happy to play along and cozy upto the Chinese. Japan, eager to mend its historically troubled ties with China, is spending 140 million dollars , a mere 6 million shy of what the Saudis are planning to cough up for their ‘crescent moon’ pavilion. Australia, a country that exports most of its natural resources to China and has generally had amicable relations with the Chinese, is keen to keep things that way and have undertaken to spend 76 million dollars for its participation. India, despite sharing a troubled relationship with the hosts, will spend 50 million dollars and will also fly top film stars and artistes to showcase its soft power. China, once a huge market for the socialist fare churned out by the likes of Raj Kapoor, will get a refresher course in Bollywood (‘Chini Kum’, hopefully not being part of the cinematic offerings) and India will hope for a less rocky road ahead with the Chinese as both powers remain competitors for natural resources to fuel their growing economies.

But there remain concerns though, more for the government than for the participants. China might have to pay a heavy social price for the Expo. In preparation for the games, thousands of city dwellers and business establishments have been shunted out of the city and relocated in remote areas at the peripheries. Many claim little or no compensation for the land lost, which has led to a fair bit of popular discontent among Shanghai’s residents. The Communist Party has paid an even higher price two years ago when it had to suspend its then secretary, Chen Liangyu, on charges of corruption. Chen, who was initially tasked with readying the city for the Expo, went about treating the city as his personal fiefdom, building what many believe to be unnecessary structures like a 290 million dollar tennis complex, an F1 race track and a proposed expensive magnetic levitation rail-line running straight from the Expo to the airport (and eventually linking Shanghai with Hangzhou), which turned out to be the final straw. Public outrage followed as citizens along the intended route were displaced and concerns were raised about magnetic radiation and noise levels. The government eventually had to give into the repeated protests by the activist middle class and investigations were launched into Chen’s dealings, leading to his eventual suspension on charges of fraud. The rail-line was eventually abandoned. Whatever Hu Jintao’s vision of ‘harmonious society’ (which refers to efforts to reduce income inequalities within the country) may be, the arbitrary and sometimes adhoc cosmetic facelift that the city has received may eventually create more discord than harmony, given that very few of the poor will actually benefit from the Expo. Questions still remain about the gainful use of the some of the structures after the fair has run its course. While the country pavilions will be torn down in six months time, the permanent structures may end up being money down the drain.

It is interesting to note that these are similar dilemmas that the Indian government faces as it readies the capital city for the Commonwealth Games, which is supposed to do for New Delhi what the Expo is doing for Shanghai. Urban regeneration, economic growth and the re-imaging of cities are now central themes for countries bidding for world sports events and world fairs alike, and one hopes that both leaderships will exercise foresight and caution in addressing the many real and human challenges which arise as a consequence, else all the billions of dollars spent will ultimately stand out in sharp contrast against the real requirements of the people and dreams of a ‘Better City, Better Life’ will eventually remain...just those.

Cheers!

Abhishek.

Kolkata by night...

Cheers!

Abhishek.

Pancham Unmixed - An unending journey

An intimate take on the man and his music, Brahamanand Singh’s ‘Pancham Unmixed’ is a documentary long overdue. RD Burman, or Pancham, as he was christened, might not have been quite in the same league as his father, SD Burman, or even other greats of the golden era of Indian cinema, such as Shanker-Jaikishen and OP Nayyar, but for a whole generation growing up in the 70s and 80s, film music started and ended with Pancham. And for good reason – no other composer of the time (with the possible exception of his one-time assistants Laxmikant-Pyarelal) transcended genres as effortlessly as he did, moving from western influences to Indian classical with incredulous ease. And then, almost all of a sudden, in the late 80s and early 90s, the great man was nearly out of work, miserable and lonely, and craving that one commercial success. The success came soon afterwards and how…but sadly, ‘RD’ never lived to pop the bubbly.

Singh’s documentary takes a look at the rise, fall, redemption and legacy of RD Burman through the eyes of his colleagues and contemporaries, and cheerfully, he gets access to film luminaries like Shammi Kapoor, Asha Bhosle, Gulshan Bawra, Laxmikant, Rishi Kapoor, Javed Akhtar, Shailendra Singh, Bhupinder, Pandit Hari Prasad Chaurasia, Pandit Shiv Kumar Sharma, Vinod Chopra, Manna Dey and many more. Most of the interviewees share their personal memories of Pancham and many lesser known anecdotes come to light, such as the time in the 60s when he used to pass off his own tunes as his father’s, just to get producers to give him a serious listen (as narrated by Asha Bhosle) and his personal trauma when ‘Saagar’ failed at the box-office in 1985. Viewers are also introduced to devoted ‘RD’ accompanists, the likes of Manohari Singh, Kesri Lord and Louis Banks, with whom he made some of his most lilting soundtracks. These gifted musicians take us through Pancham’s music making process and describe his predilection for new sounds, new technologies and innovative recording techniques. For 1982’s ‘Satte Pe Satta’, when a suitably eerie background score was required to introduce the hero’s evil look alike, ‘RD’ asked singer Annette Pinto to gargle a tune to create the score! It’s a memorable piece of music and it is indeed difficult to think of any other composer who could have pulled this off with any degree of credibility. The film, fittingly, takes a look at some of RD’s background scores, which are in no way inferior to his more popular film songs; films like ‘Sholay’, ‘Satte Pe Satta’ and ‘Kitaab’ being cases in point.

And what of legacy? RD Burman’s ageless body of work speaks for itself and therefore, it is no coincidence that he remains one of the most remixed composers today. We also have some of

today’s leading music composers talking about the effect that Pancham’s music has had on them. In the often brash and irreverent world of Bollywood, it is refreshing to see a bit of ready admiration, especially where it’s overdue. Shankar-Ehsan-Loy, Vishal Bhardwaj and Shantanu Moitra, all enumerate instances of Pancham’s influence in their compositions. RD’s universal appeal is nowhere more aptly demonstrated than in this segment of the film.

But the film’s most engaging interviewees are easily Vinod Chopra, who stuck by the composer in the days he was out of work, and for whom he delivered the peerless ‘1942- A Love Story’ score in a fitting ‘coup-de-grace’ to the naysayers, and Gulzar, with whom ‘RD’ made some of his finest music. The lyricist and film-maker sparkles in the film, and with almost childlike enthusiasm, enumerates anecdote after anecdote from their legendary association, like a particularly stressful time during the recording of the song ‘Mera kuch samaan’ from ‘Ijazat’, when a harried ‘RD’, confused with the unusual structure of the song, had remarked to him, ‘What do you want me to compose next? The headlines of the Times of India?’ The Oscar winner is clearly emotional as he remembers ‘RD’ and his music and it is perhaps this shared emotional thread that combined to give us such breathtaking soundtracks like, ‘Libaas’, ‘Aandhi’, ‘Kinara’, ‘Parichay’ and ‘Ijazat’.

For all its virtues, however, ‘Pancham Unmixed’ is not a perfect product. In some respects, it just about whets the appetite. There is only a passing reference to his association with Lata Mangeshkar, who sang some of his best tunes (Perhaps Asha Bhosle had something to say about that?). There is also practically no reference to RD’s other great association, the one with the mercurial Kishore Kumar. While Amit Kumar is extensively interviewed, no questions about his father’s partnership with ‘RD’ are posed and a priceless opportunity goes a begging. While much is made known of his first marriage to Rita Patel and their subsequent divorce, and the ultimately melancholic effect it had on the soundtrack of 1971’s ‘Amar Prem’, we learn almost nothing new about his second marriage to Asha Bhosle. She chooses to remain tightlipped about their personal life, and provides refurbished standard-issue, instead of anything original or insightful about their relationship, which gives the film a certain run-of-the-mill eulogistic quality. But in the end, it is perhaps, as Pancham fans, our impatience to find that complete depository of all things Pancham, that we demand sun and the moon.

For RD Burman fans, the fact that this film never got a wider release is indeed a great disservice. But with the DVD release, this becomes a collectible. Even for those who aren’t ‘RD’-bhakts, this serves as an interesting primer to the man, his world, his music and his legacy. The linear, conversational narrative of the film manages to be engaging enough throughout and avoids flippancy and repetition. Its sharp editing does not necessarily compliment the film, as even the healthy running time of an hour and fifty minutes seems ever so brief. This one deserved to ‘Chalte Jaana’ some more.

Cheers!

Abhishek.